<lyco:JeanMetzinger:1.0> Max Jacob's canvas presents a riveting interpretation of a Biblical scene, marked by his characteristic Cubist style. The central figures, understood to be Mary and Elizabeth, meet in an embrace, their forms skillfully fragmented and reassembled in a collage-like fashion. The geometry of the figures contrasts beautifully with the soft, fluid lines of the background, creating a sense of harmony amidst the complexity. Jacob's unique color palette, consisting of pastels and brighter hues, adds another layer of depth, creating a sense of dreamlike unreality. His technique, marked by flattened perspective and the simultaneous presentation of multiple views, gives the work a distinct visual dynamism, reflecting the innovative spirit of early 20th-century modernism