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<lora:Director Park Chan-wook style:1>Director Park Chan-wook style - Imagine a wide shot of an Korean man, his silhouette visible against the window. He is positioned to the right side of the frame, off-center. His posture suggests a deep melancholy, a sense of depression that is palpable even in his silhouette. The scene is set late at night, the darkness outside punctuatedthe twinkling city lights that form the cityscape. The image should be rendered in a photorealistic style, with a focus on the intricate details of the cityscape outside. The lighting should be low-key, with the city lights providing a soft glow that illuminates the scene. The composition should be from a far angle that places the viewer behind the man, looking out the window with him. The image should be rendered in a 16:9 aspect ratio, with a version of 5.1, in a raw style, with a quality of 2, and a size of 750.

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<lora:Director Park Chan-wook style:1>Director Park Chan-wook style - Imagine a wide shot of an Korean man, his silhouette visible against the window. He is positioned to the right side of the frame, off-center. His posture suggests a deep melancholy, a sense of depression that is palpable even in his silhouette. The scene is set late at night, the darkness outside punctuatedthe twinkling city lights that form the cityscape. The image should be rendered in a photorealistic style, with a focus on the intricate details of the cityscape outside. The lighting should be low-key, with the city lights providing a soft glow that illuminates the scene. The composition should be from a far angle that places the viewer behind the man, looking out the window with him. The image should be rendered in a 16:9 aspect ratio, with a version of 5.1, in a raw style, with a quality of 2, and a size of 750.
<lora:Director Park Chan-wook style:1>Director Park Chan-wook style - Imagine a wide shot of an Korean man, his silhouette visible against the window. He is positioned to the right side of the frame, off-center. His posture suggests a deep melancholy, a sense of depression that is palpable even in his silhouette. The scene is set late at night, the darkness outside punctuatedthe twinkling city lights that form the cityscape. The image should be rendered in a photorealistic style, with a focus on the intricate details of the cityscape outside. The lighting should be low-key, with the city lights providing a soft glow that illuminates the scene. The composition should be from a far angle that places the viewer behind the man, looking out the window with him. The image should be rendered in a 16:9 aspect ratio, with a version of 5.1, in a raw style, with a quality of 2, and a size of 750.
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