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Director Martin Scorsese style

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - a cinematic scene from the movie director . Eye level angle, wide full body shot. Dramatic clouds in the sky. Early morning foggy atmosphere. Woman running through the wet streets of Italy in an oversized suit. Two men sitting on the side of the frame in a mafia coffee shop with guns on the table. Birds circle around the chirch in the distance. Captured on Arri Alexa. Motion blur. Cinematic color grade. Film grain.

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - when the aging head of a famous crime family decides to transfer his position during his daughter's wedding, Italian catholic imagery, background characters with perfect proportions, show realistic pores and natural uneven spotless skin with natural miniscule wrinkles, breathe life into the eyes, show realistic clear sharp eyes and show realistic hair, show natural outdoors catchlight in the eyes, dramatic scene, Micro-composition, dynamic composition, unusual composition, made with Arri Alexa 35 and 40mm t2.3 lens, award winning cinematography, full length wide angle shot, a cinematic scene, perspective side view below eyeline, photorealistic, micro contrast and strong tonal variation and smooth graduations of natural colors, highly detailed shadows and textures, underexpose, lens pop effect, highly detailed, highly realistic, hard light, light characters from either above or the side, Chiaroscuro Lighting, 4.6K Super-35, 100T 5254

$<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - dress in a white nun habit, with a Machine Gun in her handshappy, hilarious, new york city street, year 1969. people walking on the street, Cinematic, Photoshoot, Shot on 50mm lens, DOF, all focus, sharp, 1 1000, F 22, White Balance, 32k, Super-Resolution, Megapixel, Pro Photo RGB, VR, Lonely, Good, Massive, Half rear Lighting, Backlight, Dramatic Lighting, Incandescent, Optical Fiber, Moody Lighting, Cinematic Lighting, Studio Lighting, Soft Lighting, Conte-Jour, Beautiful Lighting, Accent Lighting, Global Illumination, Screen Space Global Illumination, ] Global Illumination, Optics, Scattering, Glowing, Shadows, Rough, Shimmering, Reflections, Lumen Reflections, Screen Space Reflections, Diffraction Grading, Chromatic Aberration, Scan Lines, ray Tracing Ambient Occlusion, FKAA, TXAA, RTX, SSAO, Shaders, OpenGL-Shaders, GLSL-Shaders, Post Processing, Post-Production, Cell Shading, Tone Mapping, CGI, VFX, SFX, insanely detailed and intricate, hyper maximalist, elegant, super detailed, dynamic pose, photography, volumetric, ultra-detailed, intricate details, 8K, super detailed, ambient light$

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - dress in a white nun habit, with a Machine Gun in her handshappy, hilarious, new york city street, year 1969. people walking on the street, Cinematic, Photoshoot, Shot on 50mm lens, DOF, all focus, sharp, 1 1000, F 22, White Balance, 32k, Super-Resolution, Megapixel, Pro Photo RGB, VR, Lonely, Good, Massive, Half rear Lighting, Backlight, Dramatic Lighting, Incandescent, Optical Fiber, Moody Lighting, Cinematic Lighting, Studio Lighting, Soft Lighting, Conte-Jour, Beautiful Lighting, Accent Lighting, Global Illumination, Screen Space Global Illumination, ] Global Illumination, Optics, Scattering, Glowing, Shadows, Rough, Shimmering, Reflections, Lumen Reflections, Screen Space Reflections, Diffraction Grading, Chromatic Aberration, Scan Lines, ray Tracing Ambient Occlusion, FKAA, TXAA, RTX, SSAO, Shaders, OpenGL-Shaders, GLSL-Shaders, Post Processing, Post-Production, Cell Shading, Tone Mapping, CGI, VFX, SFX, insanely detailed and intricate, hyper maximalist, elegant, super detailed, dynamic pose, photography, volumetric, ultra-detailed, intricate details, 8K, super detailed, ambient light

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - Visualize a photorealistic still from a hypothetical film, depicting a pivotal confrontation in a dimly lit Italian bistro. Captured in 8K resolution using a 90mm anamorphic cine lens, the scene conveys a sense of looming danger. The medium should emphasize photorealism, enhanceda subtle film grain that lends a tangible cinematic texture to the scene. A close-up shot captures the protagonist's face in sharp focus, highlighting the anxiety in his eyes and the tension in his expression. Minute details, from the furrows on his brow to the glow of the candlelight reflecting in his eyes, should be intricately detailed. The style should mimic Scorsese's trademark visual storytelling, employing a color palette filled with warm earth tones contrasted with deep shadows. The lighting should be high-contrast, casting dramatic, harsh shadows and stark highlights that underscore the mood. The composition should use a shallow depth of field, making the protagonist's face the point of focus while the shadowy figure opposite him melds into the background, enhancing the sense of impending conflict.

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - Imagine a detective from a film, his gaze intense and unwavering, poring over a crime scene in search of clues. The photo should be hyper-realistic, highly detailed, and high-resolution 16k. The style should be raw and unfiltered, capturing the meticulous nature of the detective's work. The lighting should be bright and clear, illuminating the detective and the scene around him. The colors should be stark and realistic, with the detective's dark clothing standing out against the lighter background. The composition should be wide and expansive, capturing the detective in the context of the crime scene. Use a Nikon D850 DSLR camera with a 24-70mm f 2.8E lens, set to a resolution of 45.7 megapixels, ISO sensitivity of 25,600, and a shutter speed of 1 200 second.

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - Movie scenes of Chungking Express, in the style of high speed film, movement and spontaneity captured, Asian Couples ride motorcycles on the roadway, smoking cigarettes, in Hong Kong old time, 90s, Hong Kong gangster movie, Young and photography film style in in the style of high speed film, movement and spontaneity captured, movement and spontaneity captured, muted colours, eclectic curatorial style, in the style of surrealist dreamlike scenes, i can't believe how beautiful this is, street scenes with vibrant colors, cinestill 50d, grainy film, large grain film, lomo film style

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - Create a photorealistic image of a famous scene from a modern film. The image should be ultra-detailed and high-resolution 16k, capturing the tension and emotion of the moment. The style should be contemporary, with a color palette that reflects the film's serious and intense mood. The composition should be tight, shot with a Nikon D850 DSLR using an 85mm lens, focusing on the characters and their intense expressions. The lighting should be stark and direct, creating a sense of immediacy and drama.

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - A medium close-up movie still from surreal film in style of showing a young man with mustache in tuxedo who looks like leaning against the wall and watching people with drinks in foreground on a fellini style garden party in ancient surroundings during night | shot on celluloid with Panavision Cameras | Panavision Lenses | 35mm Film Negative Width | Anamorphic | Cinematography | Critically acclaimed | winning practical effects,

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - A medium close-up movie still from surreal film in style of showing Living like a provoking like a cliffhanger at the end of each episode I Pre-Chorus: Dreams that only my young self could realize ( carry out), they come back to me like a hungry Echosaur | shot on celluloid with Panavision Cameras | Panavision Lenses | 35mm Film Negative Width | Anamorphic | Cinematography | Critically acclaimed | winning practical effects,

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - a cinematic scene from the movie director . Eye level angle, wide full body shot. Dramatic clouds in the sky. Early morning foggy atmosphere. Woman running through the wet streets of Italy in an oversized suit. Two men sitting on the side of the frame in a mafia coffee shop with guns on the table. Birds circle around the chirch in the distance. Captured on Arri Alexa. Motion blur. Cinematic color grade. Film grain.

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - when the aging head of a famous crime family decides to transfer his position during his daughter's wedding, Italian catholic imagery, background characters with perfect proportions, show realistic pores and natural uneven spotless skin with natural miniscule wrinkles, breathe life into the eyes, show realistic clear sharp eyes and show realistic hair, show natural outdoors catchlight in the eyes, dramatic scene, Micro-composition, dynamic composition, unusual composition, made with Arri Alexa 35 and 40mm t2.3 lens, award winning cinematography, full length wide angle shot, a cinematic scene, perspective side view below eyeline, photorealistic, micro contrast and strong tonal variation and smooth graduations of natural colors, highly detailed shadows and textures, underexpose, lens pop effect, highly detailed, highly realistic, hard light, light characters from either above or the side, Chiaroscuro Lighting, 4.6K Super-35, 100T 5254

$<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - dress in a white nun habit, with a Machine Gun in her handshappy, hilarious, new york city street, year 1969. people walking on the street, Cinematic, Photoshoot, Shot on 50mm lens, DOF, all focus, sharp, 1 1000, F 22, White Balance, 32k, Super-Resolution, Megapixel, Pro Photo RGB, VR, Lonely, Good, Massive, Half rear Lighting, Backlight, Dramatic Lighting, Incandescent, Optical Fiber, Moody Lighting, Cinematic Lighting, Studio Lighting, Soft Lighting, Conte-Jour, Beautiful Lighting, Accent Lighting, Global Illumination, Screen Space Global Illumination, ] Global Illumination, Optics, Scattering, Glowing, Shadows, Rough, Shimmering, Reflections, Lumen Reflections, Screen Space Reflections, Diffraction Grading, Chromatic Aberration, Scan Lines, ray Tracing Ambient Occlusion, FKAA, TXAA, RTX, SSAO, Shaders, OpenGL-Shaders, GLSL-Shaders, Post Processing, Post-Production, Cell Shading, Tone Mapping, CGI, VFX, SFX, insanely detailed and intricate, hyper maximalist, elegant, super detailed, dynamic pose, photography, volumetric, ultra-detailed, intricate details, 8K, super detailed, ambient light$

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - dress in a white nun habit, with a Machine Gun in her handshappy, hilarious, new york city street, year 1969. people walking on the street, Cinematic, Photoshoot, Shot on 50mm lens, DOF, all focus, sharp, 1 1000, F 22, White Balance, 32k, Super-Resolution, Megapixel, Pro Photo RGB, VR, Lonely, Good, Massive, Half rear Lighting, Backlight, Dramatic Lighting, Incandescent, Optical Fiber, Moody Lighting, Cinematic Lighting, Studio Lighting, Soft Lighting, Conte-Jour, Beautiful Lighting, Accent Lighting, Global Illumination, Screen Space Global Illumination, ] Global Illumination, Optics, Scattering, Glowing, Shadows, Rough, Shimmering, Reflections, Lumen Reflections, Screen Space Reflections, Diffraction Grading, Chromatic Aberration, Scan Lines, ray Tracing Ambient Occlusion, FKAA, TXAA, RTX, SSAO, Shaders, OpenGL-Shaders, GLSL-Shaders, Post Processing, Post-Production, Cell Shading, Tone Mapping, CGI, VFX, SFX, insanely detailed and intricate, hyper maximalist, elegant, super detailed, dynamic pose, photography, volumetric, ultra-detailed, intricate details, 8K, super detailed, ambient light

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - Visualize a photorealistic still from a hypothetical film, depicting a pivotal confrontation in a dimly lit Italian bistro. Captured in 8K resolution using a 90mm anamorphic cine lens, the scene conveys a sense of looming danger. The medium should emphasize photorealism, enhanceda subtle film grain that lends a tangible cinematic texture to the scene. A close-up shot captures the protagonist's face in sharp focus, highlighting the anxiety in his eyes and the tension in his expression. Minute details, from the furrows on his brow to the glow of the candlelight reflecting in his eyes, should be intricately detailed. The style should mimic Scorsese's trademark visual storytelling, employing a color palette filled with warm earth tones contrasted with deep shadows. The lighting should be high-contrast, casting dramatic, harsh shadows and stark highlights that underscore the mood. The composition should use a shallow depth of field, making the protagonist's face the point of focus while the shadowy figure opposite him melds into the background, enhancing the sense of impending conflict.

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - Imagine a detective from a film, his gaze intense and unwavering, poring over a crime scene in search of clues. The photo should be hyper-realistic, highly detailed, and high-resolution 16k. The style should be raw and unfiltered, capturing the meticulous nature of the detective's work. The lighting should be bright and clear, illuminating the detective and the scene around him. The colors should be stark and realistic, with the detective's dark clothing standing out against the lighter background. The composition should be wide and expansive, capturing the detective in the context of the crime scene. Use a Nikon D850 DSLR camera with a 24-70mm f 2.8E lens, set to a resolution of 45.7 megapixels, ISO sensitivity of 25,600, and a shutter speed of 1 200 second.

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - Movie scenes of Chungking Express, in the style of high speed film, movement and spontaneity captured, Asian Couples ride motorcycles on the roadway, smoking cigarettes, in Hong Kong old time, 90s, Hong Kong gangster movie, Young and photography film style in in the style of high speed film, movement and spontaneity captured, movement and spontaneity captured, muted colours, eclectic curatorial style, in the style of surrealist dreamlike scenes, i can't believe how beautiful this is, street scenes with vibrant colors, cinestill 50d, grainy film, large grain film, lomo film style

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - Create a photorealistic image of a famous scene from a modern film. The image should be ultra-detailed and high-resolution 16k, capturing the tension and emotion of the moment. The style should be contemporary, with a color palette that reflects the film's serious and intense mood. The composition should be tight, shot with a Nikon D850 DSLR using an 85mm lens, focusing on the characters and their intense expressions. The lighting should be stark and direct, creating a sense of immediacy and drama.

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - A medium close-up movie still from surreal film in style of showing a young man with mustache in tuxedo who looks like leaning against the wall and watching people with drinks in foreground on a fellini style garden party in ancient surroundings during night | shot on celluloid with Panavision Cameras | Panavision Lenses | 35mm Film Negative Width | Anamorphic | Cinematography | Critically acclaimed | winning practical effects,

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - A medium close-up movie still from surreal film in style of showing Living like a provoking like a cliffhanger at the end of each episode I Pre-Chorus: Dreams that only my young self could realize ( carry out), they come back to me like a hungry Echosaur | shot on celluloid with Panavision Cameras | Panavision Lenses | 35mm Film Negative Width | Anamorphic | Cinematography | Critically acclaimed | winning practical effects,

<lora:Director Martin Scorsese style:1>Director Martin Scorsese style - a cinematic scene from the movie director . Eye level angle, wide full body shot. Dramatic clouds in the sky. Early morning foggy atmosphere. Woman running through the wet streets of Italy in an oversized suit. Two men sitting on the side of the frame in a mafia coffee shop with guns on the table. Birds circle around the chirch in the distance. Captured on Arri Alexa. Motion blur. Cinematic color grade. Film grain.

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Model Description by Creator

Martin Scorsese is an American filmmaker known for his dynamic and versatile style, characterized by a blend of gritty realism, visceral storytelling, and an exploration of themes related to identity, morality, and the human condition.

Scorsese's films often focus on characters who are outsiders or antiheroes, grappling with their personal demons and societal pressures. His narratives delve into the complexities of their motivations, desires, and moral dilemmas, creating multi-dimensional and relatable characters.

Visual storytelling is a hallmark of Scorsese's style. He uses dynamic camera movements, intricate tracking shots, and expressive lighting to create a sense of urgency and emotional intensity. His films often capture the energy and rhythm of the environments in which they're set.

Music is a crucial component of Scorsese's style. He often uses popular music from various genres to enhance the mood and atmosphere of his films. His collaborations with composers and music supervisors result in iconic soundtracks that contribute to the cultural impact of his work.

Scorsese's exploration of violence, power, and the consequences of one's actions is a recurring theme. He often depicts characters in morally ambiguous situations, creating tension between their personal desires and their responsibilities.

Collaboration with actor Robert De Niro has been a defining element of Scorsese's career. De Niro's performances in films like "Taxi Driver" and "Raging Bull" are closely associated with Scorsese's cinematic legacy.

Scorsese's work spans a wide range of genres, from crime dramas like "Goodfellas" to historical epics like "The Last Temptation of Christ." His versatility and ability to adapt his style to different subject matters have solidified his place as one of the most influential and respected directors in the history of cinema.

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