Ohara Koson, also known as Shoson or Hoson, was a Japanese printmaker and painter who lived from 1877 to 1945. He was part of the Shin-hanga ("new prints") movement, which revitalized traditional Japanese woodblock printing during the early 20th century.

Koson was renowned for his exquisite prints of birds, flowers, landscapes, and animals, with a particular emphasis on depictions of birds and flowers in nature. His works often showcased a delicate balance between realism and stylization, capturing the beauty and essence of his subjects with great precision and artistry.

Koson's prints displayed a keen observation of nature and a mastery of composition. His use of color was subtle and nuanced, creating an atmosphere of tranquility and harmony. His subjects, such as birds perched on branches or flowers in bloom, were rendered with exceptional detail, capturing their delicate textures and intricate patterns.

Throughout his career, Koson produced a large body of work, often signing his prints with various seals and signatures. He drew inspiration from traditional Japanese art, as well as from Western art movements such as Impressionism, which introduced new perspectives and techniques to Japanese printmaking.

Koson's prints gained popularity both in Japan and abroad, particularly in Europe and the United States, where they were highly regarded for their technical skill and aesthetic appeal. Today, his prints are highly sought after by collectors and art enthusiasts worldwide.

Ohara Koson's contributions to the Shin-hanga movement and his mastery of woodblock printing have solidified his place as a celebrated figure in Japanese art history. His prints continue to captivate viewers with their serene beauty, delicate craftsmanship, and reverence for the natural world.